The MC5 was featured in a very early article by Eric
Ehrmann that helped put Rolling Stone
magazine on the map; when they collected articles
for a 25th anniversary issue, the MC5 profile was the earliest
feature selected. I worked for the magazine at that point, and what struck me
about that feature was how retrograde the band was. They lived together in a
house in Detroit Big Pink-style, where they were attended to by their old
ladies, who I don’t believe were even granted names in the article. Their entire
position was to serve the men, although the article did praise the “total
destroy barbecue” they prepared for them.
At that point, the MC5 was one of the hottest acts
in rock, even though their debut album, the live Kick Out the Jams, hadn’t been
released yet. They were at the crossroads of the hippie movement and what would
come to be called punk, all roaring guitars and political anger, propelled by
the anthemic title single.
That was probably the high point for the MC5, when
they were all promise and no delivery. Shortly after that article appeared,
Lester Bangs reviewed Kick Out the Jams for Rolling Stone, and he was not
impressed, calling it “this
ridiculous, overbearing, pretentious album.” It reached a rather wan Number 30 on the album
charts, with the title single going to Number 87.
The MC5 released
their second album Back in the USA, produced by future Springsteen honcho Jon
Landau, in 1972. It didn’t do as well as Kick Out the Jams. Their third album,
High Time, from 1971, did even worse, and the band was shortly no more.
The Case For The MC5
really were an important band. Their saga kicks off the indispensable punk
chronicle Please Kill Me, and their mix of heavy metal thunder and political
broadsides showed a new way for rock music to go. All the White Panther Party
rhetoric seems silly now, but hey, it meant something back then. Lester Bangs
notwithstanding, Kick Out the Jams has regained some luster in the ensuing
years, being named to Rolling Stone’s list of the 500 Greatest Albums of All
Time.
The Case Against When
was the last time you heard an MC5 song? Their music hasn’t aged well, and
their career was really short. All that White Panther Party rhetoric seems
silly now.
The Cool Factor They covered Sun Ra on Kick Out the
Jams. Guitarist Fred “Sonic” Smith went on to marry Patti Smith.
The Verdict Given the choice between cultural
significance and musical quality, I’ll go with musical quality every time. I
just don’t see enough of it in the MC5’s case. I vote no for the MC5.
The last time I listened to an MC5 song? Well, the version of "Ramblin' Rose" from the Detroit Tube Works TV show is one of my 10 most-watched YouTube videos ever:
ReplyDeletehttps://www.youtube.com/watch?v=wZ82BMdHjQM
I buy into the Five's mythological image as Bad Deeeetroit Motherf--kers, and in those golden moments when they were *on* they could blow through walls ... but in a discussion of the very best, most influential and/or most successful rock performers of all time, they really don't have a place.
I'd love to know what Brother Wayne Kramer would say in his induction speech, though. (And you thought Steve Miller aired some people out...)
Hi, Eric Ehrmann checking in from Brazil having recently stumbled upon this item. The "Five" was really a live band. Period. Wayne did a movie about the band a while back and said that after the band signed with Elektra it was like they were supposed to "run laps, and eat yogurt and granola." Ironically, while the "old ladies" were subservient, one named Patti married drummer Fred "Sonic" Smith, and took his name... ever hear of, uh... Patti Smith.
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