Tuesday, December 4, 2018

John Prine: Make Me an Angel


Like me, John Prine was born and raised in the middle-class suburbs of Chicago. Chicago had a big presence in the folk revival of the 1960s – Llewyn Davis going to the Gate of Horn was based on a real incident – and Prine got his start singing on open-mic nights at a club called the Fifth Peg. One night in 1970, when he opened with “Sam Stone” and “Hello in There,” Roger Ebert happened to be in the audience. Given those songs, Ebert’s review in the Sun-Times was obviously a rave, and Prine’s career was launched.


John Prine was released in 1971, containing most of what people still know about John Prine: the above two songs plus “Angel From Montgomery” and “Illegal Smile.” Prine found himself at a party in New York City with Dylan shortly before the record was released, and when Prine sang some of it, Dylan sang along with him – he knew the album from a preview copy before it even came out. Hey, let’s listen to Dylan for a minute: 

"Prine's stuff is pure Proustian existentialism. Midwestern mindtrips to the nth degree. And he writes beautiful songs. I remember when Kris Kristofferson first brought him on the scene. 'Sam Stone,' featuring the wonderfully evocative line, 'There’s a hole in daddy's arm where all the money goes, and Jesus Christ died for nothing I suppose.' All that stuff about "Sam Stone," the soldier junkie daddy, and "Donald and Lydia," where people make love from ten miles away. Nobody but Prine could write like that.”

If he had had a couple more John Prines in him, he’d be up there with Dylan and Paul Simon among the absolute best contemporary songwriters. Although Prine continued to churn out great songs now and then over the next couple of decades – “Dear Abby,” “Speed of the Sound of Loneliness,” the incredible “In Spite of Ourselves” – he never put out another record with four stone-cold classics. But who could? 

With his tiny little voice, Prine never had what you might call hits – I’m not sure he ever had what you might call “singles.” But his songs very quickly began to get covered, like Bonnie Raitt with “Angel From Montgomery” in 1974. Hey, let’s listen to Bonnie for a minute:

"I think 'Angel from Montgomery' probably has meant more to my fans and my body of work than any other song, and it will historically be considered one of the most important ones I've ever recorded. It's just such a tender way of expressing that sentiment of longing. It's a perfect expression from [a] wonderful genius.” 

Johnny Cash covered “Sam Stone,” although he changed the unbelievably tough lyric "Jesus Christ died for nothing, I suppose" to "Daddy must have hurt a lot back then, I suppose.” The real keeper that you want here is Swamp Dogg’s cover.

The Matched Set Prine’s friend Steve Goodman, who had hit it big when Arlo Guthrie did his “City of New Orleans,” brought Kris Kristofferson to hear Prine in Chicago one night. Kristofferson was so impressed he took Prine to New York to play an industry showcase at the Bitter End, which landed him a contract with Jerry Wexler at Atlantic Records. 

Like Prine, Kristofferson was a brilliant songwriter, folding bleak imagery into proto-folkie songs, and although some of Kristofferson’s songs became genuine hits – “Me and Bobby McGee,” “Help Me Make It Through the Night” – they are the same basic model, if “genius” can be considered a model. Prine’s a better singer than Kristofferson, but shoot, I’m a better singer than Kristofferson. Hey, let’s listen to Kristofferson:

“People give me credit for ‘discovering’ John Prine. That’s like saying Columbus discovered America. It was already here.”

Kristofferson’s never even been nominated. 

The Verdict I have nothing bad to say about John Prine, but it’s really hard for me to see him elevated to the Rock and Roll Hall of Fame as a performer. For one thing, he’s not really rock & roll. Put him in the Songwriter’s Hall of Fame, absolutely, but for this ballot, I’m voting No.

3 comments:

  1. I have two nitpicks with this write up - Prine has at least two more albums with four songs I think rank as classics: Bruised Orange, and The Missing Years; which brings us to my other nit pick. There are ten songs on his debut I think are classics, and the other three are merely very good. That album was freaking mind blowing!

    ReplyDelete
    Replies
    1. I want to thank Emu Temple for the accurate readings he gave me and for also helping me bring back my lover.. If you are here and you are having any relationship problem please Contact Emu Temple on Via Email: emutemple@gmail.com OR Via WhatsApp +2347012841542 and result is 100% guarantee and He do lot more as:*Love Spells*Lost Love Spells*Divorce Spells*Stop Divorce Spell*Marriage Spells*Binding Spells*Breakup Spells*You want to be promoted in your office*Want to satisfy your lover*Death Spell*Gay/Lesbian Love Spell*Court case Spell*Politics Spell*Good-luck Spell*Bad Luck Remover Spell*Do as i say Spell*General cleansing Spell*Herbal remedy for all kind of disease    
      *Lottery Spell*Pregnancy Spell*Peins enlargement 














      I want to thank Emu Temple for the accurate readings he gave me and for also helping me bring back my lover.. If you are here and you are having any relationship problem please Contact Emu Temple on Via Email: emutemple@gmail.com OR Via WhatsApp +2347012841542 and result is 100% guarantee and He do lot more as:*Love Spells*Lost Love Spells*Divorce Spells*Stop Divorce Spell*Marriage Spells*Binding Spells*Breakup Spells*You want to be promoted in your office*Want to satisfy your lover*Death Spell*Gay/Lesbian Love Spell*Court case Spell*Politics Spell*Good-luck Spell*Bad Luck Remover Spell*Do as i say Spell*General cleansing Spell*Herbal remedy for all kind of disease    
      *Lottery Spell*Pregnancy Spell*Peins enlargement 

      Delete
  2. I came late to the wonders of John Prine. I knew all about him but never really listened closely. When I finallly heard his astounding debut a few years ago I was astonished by the quality of the songs. To this day I've only heard a smattering of his work beyond this record so to say he is HOF worthy is something I can't rightfully weigh in on. But, let me state this fact. It is probably my all time favorite singer-songwriter album of all time and I'm including everybody, even all of Dylan's work. I will say this though, if no talents like the Sex Pistols are in for making one terrible album (I know, they're in because of their influence) then Prine should be a shoo-in. You can read for yourself how I feel about this album HERE.

    ReplyDelete